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The presence of Maura and Penelope Cruz in the castcan only strengthen the film's prospects. Volver is alreadyperforming strongly in Spain ($4.7m from 727,000 admissions after 10 days) andits expected Cannes competition berth should act as a powerful launchpad forits international roll-out. The former took $59.6m in worldwide grosses including 2.6 million admissions in Spain and $8.3m in North American gross,while the latter took $41.7m worldwide including 1.4m admissions in Spain and$9.3m in North American gross. Almodovar is a global name and there isnothing more universal than the story of these women on whom he looks with loveand the occasional touch of saturated colour.Īfter Bad Education, a complex andperhaps misunderstood entry in the Almodovar canon, the director should belooking at a return to the grosses of All About My Mother (2000) and TalkTo Her (2002) with Volver. Although it has more in common with Italian neorealismthan Almodovar's Women On The Verge Of A Nervous Breakdown, it is stilldestined for international success. He also returns to his roots asa filmmaker, working mainly with women and, after a long absence, with hisoriginal muse Carmen Maura.ĭevoid of the camp ebullienceand colourful subplots one expects from an Almodovar film, Volver neverthelessachieves moments of deep dramatic intensity as a well-observed study of a smallgroup of characters. He returns to hispersonal roots in La Mancha, where he was born. The literal Englishtranslation of Volver is "To Return" and Pedro Almodovar's newfilm represents several 'returns' for the iconic director.
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Tour our photo gallery of Almodovar’s movies, including some of the titles listed above, as well as “Matador” (1986), “Law of Desire” (1987), “Tie Me Up! Tie Me Down!” (1990) and more.
#Volver pedro almodovar cast skin#
He won another BAFTA foreign film prize for “The Skin I Live In” (2011), earning nominations in that category for “Live Flesh” (1997), “Bad Education” (2004), “Volver” (2006), “Broken Embraces” (2009), “Julieta” (2016) and “Pain and Glory”, plus a screenwriting bid for “All About My Mother.” “High Heels” (1991), “Volver,” “Broken Embraces,” “Skin” and “Pain and Glory” also contended at the Globes for foreign film. He returned to the Oscar race with a Best International Film nomination for “Pain and Glory.” With “Talk to Her” (2002), he reaped an Oscar nomination for Best Director and won the Best Original Screenplay prize, plus a Golden Globe for foreign film and BAFTAs in writing and foreign film. He later won that prize at all three groups for “All About My Mother” (1999), which also brought him a BAFTA victory in Best Director. He also showed a talent for working with women, and throughout his 40 year career has placed actresses such as Penelope Cruz, Carmen Maura, Cecilia Roth, Victoria Abril, Marisa Paredes and Victoria Abril at the center of his work, not to mention Antonio Banderas, who earned an Oscar nomination for playing his surrogate in “Pain and Glory.”Īlmodovar has long enjoyed awards attention, starting with his international breakthrough “Women on the Verge of a Nervous Breakdown” (1988), which earned him Oscar, Golden Globe and BAFTA nominations in Best Foreign Language Film.
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Staring with his filmmaking debut “Pepi, Luci, Bom and Other Girls Like Mom” (1980), the openly gay director showed an affinity for oddballs and outsiders, populating his films with transvestites, transexuals and homosexuals, all of whom had previously been relegated to the closet. He shows no signs of slowing down, with his latest outing in 2019 being the Oscar-nominated “Pain and Glory.” Let’s take a look back at all 21 of his films, ranked worst to best.īorn in 1949 in Spain, Almodovar came to prominence during La Movida Madrilena, a cultural renaissance that blossomed at the end of Francoist Spain.
#Volver pedro almodovar cast series#
Oscar-winning Spanish auteur Pedro Almodovar has made a name for himself with a series of brightly colored, delightfully kinky and unabashedly melodramatic titles, mixing comedy, drama, sex and violence to great success.